longtime fixture of the UK’s electronic underbelly, Matt Hodson has worked in the south of England’s top recording studios with a variety of bands and producers. A self-taught musician and sound designer, his involvement within the music industry stretches back over 10 years. In 2005, he began developing an interest in new compositional techniques, producing bespoke musical arrangements for moving image. Later that year, he put together the modular analog synth and analog keyboard London Synthesis Orchestra. His down-tempo, erratic, and often nostalgic musical output has been commissioned by some of the most prestigious film, television, and gaming studios around.
Now, dead-set on convening his previously intermixed energies on his own output entirely, he’s still delivering gargantuan atmospheric permutations and vigorous beats under a swelling umbrella of song-like sound, as bitbin. But this time, he’s most wired to turn the tables on new and old material, reworking tracks into another state, and continues to experiment with his extensive processing techniques using new and old audiovisual equipment, hidden away in his Sussex countryside studio.